Tanya Goel’s works are notable for their exploration of a rigorous abstraction that is deeply invested in the process of their creation. The artist makes her own pigments from a diverse array of materials including charcoal, Aluminum, concrete, glass, soil, mica, graphite and foils, many sourced from sites of architectural demolitions in and around New Delhi. She is interested in the textures of her pigments as well as their colors, which is a direct result of how they reflect light. Her compositions, noted for their density and complexity, are mathematical formulas which are established and then violated, resulting in a balance between structure and chaos. Goel’s paintings can also be read as linguistic systems, as meaning is constructed only through laborious repetition.

The artist is interested in the idea of the Screen, which painting has always been analogous with. We can trace the Screen through the trajectory of Art History from the flatness of Egyptian art to the simulated three-dimensional space of the Renaissance, back to the flatness of Modernist Abstraction. Goel’s works elaborate a dialogue for painting acknowledging the digital screens in which most of our information and images now reside, exploring both the limitations and the freedoms to be found within this flux.

Tanya Goel was born in 1985 and studied at the Faculty of Fine Arts, MS University, Baroda and the School of the Art Institute of Chicago, before completing her Master’s Degree in Fine Arts from Yale University in 2010. She has had two solo shows with Nature Morte in New Delhi (2018 and 2019) and two with Galerie Mirchandani + Steinruecke in Mumbai (2011 and 2015). In May 2019, Nature Morte presented a solo show of new works by the artist at the Highline Nine Galleries, Chelsea, New York. Her works are in the collections of the Kiran Nadar Museum of Art, New Delhi; The Philadelphia Museum of Art, Philadelphia, PA; The Art Gallery of Alberta, Canada; and the UBS Bank, Zurich; Istanbul Museum ; Louis Vuitton Collection of art and The Lalbhai Museum – Indio Museum. She was a participating artist in both the Sydney and Gwangju Biennales in 2018. Currently a site-specific work, titled, ‘index V’, is on view at the Philadelphia Museum of Art, as a part of ‘fault lines’, curated by Amanda Sroka.